{"id":6591,"date":"2022-03-30T16:00:49","date_gmt":"2022-03-30T16:00:49","guid":{"rendered":"https:\/\/bernardvillers.be\/?p=6591"},"modified":"2022-03-30T16:00:51","modified_gmt":"2022-03-30T16:00:51","slug":"chaosmos-a-garage-cosmos","status":"publish","type":"post","link":"https:\/\/bernardvillers.be\/new\/chaosmos-a-garage-cosmos\/","title":{"rendered":"Chaosmos \u00e0 Garage Cosmos"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" id=\"influence-des-ecrivains-sur-les-arts-plastiques-au-xixe-et-xxe-siecles-jusqu-a-aujourd-hui\"><br>Influence des \u00e9crivains sur les arts plastiques au XIXe&nbsp;et XXe&nbsp;si\u00e8cles jusqu\u2019\u00e0 aujourd\u2019hui.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\" id=\"avec-pierre-albert-birot-art-language-michael-baldwin-et-mel-ramsden-jean-francois-bory-marcel-broodthaers-bob-brown-francesco-cangiullo-pascalino-cangiullo-anne-catherine-caron-lewis-carroll-henri-chopin-andre-du-colombier-jean-crotti-stephan-czerkinsky-gilles-deleuze-serge-vandercam-et-christian-dotremont-peter-downsborough-marcel-duchamp-francois-dufrene-alexandre-gherban-jean-pierre-gillard-corrado-govoni-raymond-hains-ian-hamilton-finley-isidore-isou-james-joyce-stephane-mallarme-marcel-marien-filippo-tommaso-marinetti-e-l-t-mesens-bruno-munari-paul-nouge-paul-van-ostayen-presence-panchounette-dominique-rappez-georges-ribemont-dessaignes-roland-sabatier-alain-satie-eric-satie-jacques-spacagna-tato-oriol-villanova-bernard-villers-lawrence-weiner\">Avec Pierre&nbsp;Albert-Birot, Art&nbsp;&amp;&nbsp;Language (Michael&nbsp;Baldwin et Mel&nbsp;Ramsden), Jean-Fran\u00e7ois&nbsp;Bory, Marcel&nbsp;Broodthaers, Bob&nbsp;Brown, Francesco&nbsp;Cangiullo, \u2018Pascalino\u2019&nbsp;Cangiullo, Anne-Catherine&nbsp;Caron, Lewis&nbsp;Carroll, Henri&nbsp;Chopin, Andr\u00e9&nbsp;du&nbsp;Colombier, Jean&nbsp;Crotti, Stephan&nbsp;Czerkinsky, Gilles&nbsp;Deleuze, Serge Vandercam et&nbsp;Christian&nbsp;Dotremont, Peter&nbsp;Downsborough, Marcel&nbsp;Duchamp, Fran\u00e7ois&nbsp;Dufr\u00eane, Alexandre Gherban, Jean-Pierre&nbsp;Gillard, Corrado&nbsp;Govoni, Raymond&nbsp;Hains, Ian&nbsp;Hamilton&nbsp;Finley, Isidore&nbsp;Isou, James&nbsp;Joyce, St\u00e9phane&nbsp;Mallarm\u00e9, Marcel&nbsp;Mari\u00ebn, Filippo&nbsp;Tommaso&nbsp;Marinetti, E.L.T.&nbsp;Mesens, Bruno&nbsp;Munari, Paul&nbsp;Noug\u00e9, Paul&nbsp;Van&nbsp;Ostayen, Pr\u00e9sence&nbsp;Panchounette, Dominique&nbsp;Rappez, Georges&nbsp;Ribemont&nbsp;Dessaignes, Roland&nbsp;Sabatier, Alain&nbsp;Sati\u00e9, \u00c9ric&nbsp;Satie, Jacques&nbsp;Spacagna, Tato, Oriol&nbsp;Villanova,&nbsp;Bernard&nbsp;Villers, Lawrence&nbsp;Weiner.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le parcours qui relie les artistes de cette exposition trace un fil rouge, celui de&nbsp;La ligne oubli\u00e9e d\u00e9crite par Marc Partouche dans son livre \u00e9ponyme. Ce sont des artistes qui ont \u00e9chapp\u00e9 le plus souvent \u00e0 la vigilance du grand public.&nbsp;La fin du XIXe&nbsp;si\u00e8cle a vu l\u2019apparition de nombreux mouvements d\u2019art pr\u00e9-dada\u00efstes tels que les Incoh\u00e9rents et autres Fantaisistes, Fumistes, Hirsutes, Jarry et sa pataphysique, la Boh\u00e8me et ses artistes sans \u0153uvres qui ne sont pas pour autant des artistes rat\u00e9s. Leur pr\u00e9sence est le point d\u2019ancrage d\u2019une tradition nouvelle et leurs manifestations sont leur contribution \u00e0 l\u2019id\u00e9e d\u2019une continuit\u00e9 dans les formes de la marginalit\u00e9 et de la rupture en art. Notre but est de relever l\u2019incompr\u00e9hension face au positionnement impr\u00e9vu et jug\u00e9 inappropri\u00e9 des artistes de la ligne oubli\u00e9e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Horaires d&rsquo;ouverture&nbsp;:&nbsp;<br>du vendredi&nbsp;au dimanche de&nbsp;13h \u00e0&nbsp;18h<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Horaires d&rsquo;ouverture pendant Art Brussels&nbsp;:&nbsp;<br>du 28 avril au 1 mai&nbsp;de&nbsp;11h \u00e0&nbsp;18h<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vernissage&nbsp;:<br>vendredi 1&nbsp;avril de&nbsp;18h \u00e0&nbsp;21h<br>19h30,&nbsp;<em>Remarques<\/em><em>pr\u00e9liminaire<\/em><em>:&nbsp;Penser le corps et la po\u00e9sie (Futurisme)&nbsp;<\/em>par Victor&nbsp;Hugo&nbsp;Riego, licenci\u00e9 et agr\u00e9g\u00e9 en philosophie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conf\u00e9rence&nbsp;:<br>samedi 30 avril \u00e0&nbsp;11h<br><em>Penser le corps et la po\u00e9sie (Futurisme)&nbsp;<\/em>par Victor&nbsp;Hugo&nbsp;Riego<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Exposition&nbsp;:<br>2&nbsp;avril\u2009\u2013\u20091 mai 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Influence des \u00e9crivains sur les arts plastiques au XIXe&nbsp;et XXe&nbsp;si\u00e8cles jusqu\u2019\u00e0 aujourd\u2019hui. Avec Pierre&nbsp;Albert-Birot, Art&nbsp;&amp;&nbsp;Language (Michael&nbsp;Baldwin et Mel&nbsp;Ramsden), Jean-Fran\u00e7ois&nbsp;Bory, Marcel&nbsp;Broodthaers, Bob&nbsp;Brown, Francesco&nbsp;Cangiullo, \u2018Pascalino\u2019&nbsp;Cangiullo, Anne-Catherine&nbsp;Caron, Lewis&nbsp;Carroll, Henri&nbsp;Chopin, Andr\u00e9&nbsp;du&nbsp;Colombier, Jean&nbsp;Crotti, Stephan&nbsp;Czerkinsky, Gilles&nbsp;Deleuze, Serge Vandercam et&nbsp;Christian&nbsp;Dotremont, Peter&nbsp;Downsborough, Marcel&nbsp;Duchamp, Fran\u00e7ois&nbsp;Dufr\u00eane, Alexandre Gherban, Jean-Pierre&nbsp;Gillard, Corrado&nbsp;Govoni, Raymond&nbsp;Hains, Ian&nbsp;Hamilton&nbsp;Finley, Isidore&nbsp;Isou, James&nbsp;Joyce, St\u00e9phane&nbsp;Mallarm\u00e9, Marcel&nbsp;Mari\u00ebn, Filippo&nbsp;Tommaso&nbsp;Marinetti, E.L.T.&nbsp;Mesens, Bruno&nbsp;Munari, Paul&nbsp;Noug\u00e9, Paul&nbsp;Van&nbsp;Ostayen, Pr\u00e9sence&nbsp;Panchounette, Dominique&nbsp;Rappez, Georges&nbsp;Ribemont&nbsp;Dessaignes, Roland&nbsp;Sabatier, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6591","post","type-post","status-publish","format-standard","hentry","category-expositions"],"acf":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/posts\/6591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/comments?post=6591"}],"version-history":[{"count":3,"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/posts\/6591\/revisions"}],"predecessor-version":[{"id":6594,"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/posts\/6591\/revisions\/6594"}],"wp:attachment":[{"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/media?parent=6591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/categories?post=6591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bernardvillers.be\/new\/wp-json\/wp\/v2\/tags?post=6591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}